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El
Dia De Los Muertes:
Service
of Memory and Love
A
sermon offered at the Unitarian Universalist Church of Lafayette,
Indiana
November
3, 2002
When
sorrow comes, let us accept it simply, as a part of life.
Let
the heart be open to pain; let it be stretched by it.
All
the evidence we have says that this is the better way.
An
open heart never grows bitter.
Or if
it does, it cannot remain so.
Anguish,
like ecstasy, is not forever.
There
comes a gentleness, a returning quietness, a restoring stillness.
This,
too, is a door to life.
Here,
also, is a deepening of meaning - and it can lead to dedication;
a
going forward to the triumph of the soul,
the
conquering of the wilderness. A. Powell Davies
Readings
What is
precious is never to forget
The
essential delight of the blood drawn from ageless springs
Breaking
through rocks in worlds before our earth.
Never to
deny its pleasure in the morning simple light
Nor its
grave evening demand for love.
Never to
allow gradually the traffic to smother
With
noise and fog the flowering of the spirit.
See how
these names are feted by the waving grass
And by
the streamers of white cloud
And
whispers of wind in the listening sky.
The
names of those who in their lives fought for life
Who wore
at their hearts the fire's centre.
Born of
the sun they travelled a short while towards the sun,
And left
the vivid air signed with their honour.
Fred
Hoyle:
"Perhaps the most majestic feature of our
whole existence is that while our intelligences are powerful enough
to penetrate deeply into the evolution of this quite incredible
Universe, we still have not the smallest clue to our own fate."
FRED
HOYLE
Sermon
I
stood with a friend this week in Columbia City, Indiana, in a room with pale pink moirι drapes and
looked for the first time at her father.
At eighty five he was crisply dressed by the undertaker in a
fine suit, well-groomed looking nearly dapper.
He had a sweet face and I found myself wishing that I had met
him in life. Instead, I
met him in death. He
had suffered from severe emphysema -- I could see the barrel shape
of his chest it reminded me of the struggle for breath that had
been his life for some years. I
felt a guilty wave of relief that he was no longer struggling for
air. I met him in death
relaxed, released surrounded by his family and friends.
The funeral home was both formal homey, in that strange way of funeral
homes. My friend had
promised her father that shed perform his funeral.
But, when it came down to it, the role of ministry and the
reality of mourner was a complex balancing act that was where I
came in. When her
eulogy ended, I took over, she sat down with her sisters, and
surrendered to grief.
At the cemetery I
offered further words and we released her father into the
sheltering, nourishing, devouring Earth, then we returned to his
farmhouse for homemade food delivered by neighbors, baked by family,
shared in close rooms among people ranging in age from six to eighty
six. Her father came
alive for me as the day passed.
Not only in stories but also in the feel of the house, the
food, the land, the small signatures, and the diverse clutter of a
long life.
He was alive everywhere I looked in
children, grandchildren, great grandchildren. He was alive in his
totality photographs of his every age were strewn about.
His medicines stood side by side with the cabinets hed
installed, the many signs of his hard-working why hire out what
you can do yourself life.
He was alive for me
without the pain of loss because I had not known him,
because he would not leave a hole in my life and he was just
beginning his family was just beginning the process of making
sense of life without him of calling back to life the man they
could have and letting go of the one they could no longer be with.
The poet Mary Oliver put it this way:
To live in this world
you must be able
to do three things:
To love what is mortal:
to hold it
against your bones knowing
your own life depends on it;
it go,
to let it go.
It was tangible for me this sense of
calling him back in a new way not a denial of death more a
recognition that grief is real, yet constantly changing.
As the stages of grief pass through the heart like
electric shocks painful and powerful the person alive and
loved among us is transformed into someone loved and yet among us in
a different way. It is
such a mystery that every human culture has made up amazing stories
to explain it and contain it and yet it remains a mystery
awesome in the traditional sense of inspiring terror and wonder.
It remains a mystery that is inescapable, that transforms all
of life, that is woven into life.
Culture upon culture, generation on generation we face this
awesome reality and find new ways to live with it some more
productive, realistic, and more life-giving than others. El Dia De
Los Muertes is one way we can face this reality
May this weaving of words and melody, silence
and tones allow you the space to reflect to put our hands and
hearts on it and with the comfort of one another face the
mystery.
Stephen Levine wrote:
We have a will toward mystery, a yearning,
greater even than our will to live. And lucky, too, because our will
to live, our grasping at life, is killing us. The will to live is
our fear of death, our clinging to pleasure, our dread of not
becoming.
The will to live keeps us holding each breath,
the will toward mystery, the longing for deeper knowing, redefines
life. A gradual upwelling of the still small voice within is heard.
It is the completion of our birth.
It does not come in time, but in timelessness,
when we remember who we really are. It draws us to the edge and
beckons us to surrender safe territory and enter our enormity.
Throughout history we humans have struggled
with this enormity this mystery.
There are many ways to define that word mystery.
At the dawn of the scientific world view the
mystery became just that a puzzle to be solved.
A code to be cracked the code of life the code of
death. The archetypal
story that tells of this is, of course, Frankenstein a story we
make variation upon time and again in hospitals and nursing homes as
doctors struggle with their hopes, skills, and their limitations and
the limitations of the human body.
Dr. Frankenstein said: to examine the causes of life we
must first have recourse to death. Sherwin Nuland, in How We Die wrote that the desire to defeat
death has its noble face but has neither defeated death nor lead
to better deaths but has contributed to the defeat of the natural
forces that enable us to die in our own time whenever that is.
In the Western world
we have revolved our management of death around the dominant myths
But no matter how wistfully we may cherish a belief in
life-everlasting we know that our span is short and our days all too
brief. In the words of Octavio Paz
Between going and staying the day wavers,
All is visible
and all elusive,
all is near and can't be touched.
Time throbbing
in my temples repeats
the same unchanging syllable of blood.
The moment
scatters. Motionless,
I stay and go: I am a pause.
Se disipa el instante. Sin moverme,
yo me quedo y me voy: soy
una pausa.
Soy una Pausa I am
a pause.
There have been eras
when grief has been loud keening the wailing of women, the
scowling of men, the tearing of cloth, the draping of black or
white. Early in
Christian history it became both extravagant and faithless to grieve
for, after all, the dearly departed might be going on to a
better place this offered options
Either they were going
to a better place in which case the mourner was selfish and
codependent. Or they
were condemned to hell in which case the mourner was foolishly
grieving the decisions of a wise god.
Likely either way the mourner might see them in the next life
and that again was no cause for joy or sorrow only hope against
fear. This view of
death quieted mourners considerably and volumes of verse were
written praising the strong hearted and dry-eyed, beseeching the
mourners to move on with life, rejoice, and to forget the dead.
The tombstone of an
ancient three year old reads:
No Tears of sadness,
no beating of your brest
O father and mother, I
have reached the kingdom of heaven.
There was a time
not long ago when we did not even tell the dying that they were,
in fact, dying. It was
a secret. More recently we worried a la New Age that if we or a
doctor told them it would make it sojust knowing might destroy
the will to live. Even the dying who always do know even
the dying would be complicit in the lie acting as though they did
not know to make it easier for the survivors.
It was the secret that everyone knew. And the silence
prevented many people from reconnecting before death in ways that
would have both healed the past and made the transition to death
less lonely for both the dying and the survivors.
Eventually weeping
returned to the west though restrained, as any of us might
attest. As a minister, I often look out over a roomful of faces and
see the brave restraint of public grief.
Often, we move apart like wounded creatures. We gently, quietly tear at funerals, then go alone to cry out
our private sorrow our sorrow which is not truly private at all
it is the other secret we all share. We sorrow and grieve.
Its this grieving that begins to clear out the heart
and allow the reality of loss in. This same thing allows the heart
to heal and let life return a new and different life but a
real one. It cannot be
changed there is thank goodness no doctor Frankenstein.
At some point ready or not we have each a standing
invitation to meet with mortality if we are wise we become at
that moment, more fully alive.
We dont cling feverishly to life but we cherish the lives
of others because they, too, are such brief and remarkable
occurrences.
Just as the spring is no less precious because
the summer will come, nor summer less precious for fall, nor fall
for winter and so it is and will be with the seasons of our lives.
Im tired of the commercial Halloween with
green faced witches and rotund ghosts.
Where is our clear eyed realism our gratitude for life
and for all that has come before us our sense of connection with
that which comes after? El
Dia De Los Muertes is a holiday based upon the peekaboo theory of
living well.
To
adjust to death.
About the day and the picnic and about all that
is cherished
Like that day I spent with my friends family
a time to remember that one you loved or fought with, to honor
the ancestors who brought you here for joy and challenge. It is a
time to grieve loss, honor loss, and celebrate life tangled in those
losses.
Rupert
Brooke wrote:
These
hearts were woven of human joys and cares,
Washed
marvelously with sorrow, swift to mirth.
The
years had given them kindness. Dawn was theirs,
And
sunset, and the colors of the earth.
These
had seen movement, and heard music; known
Slumber
and waking; loved; gone proudly friended ;
Felt the
quick stir of wonder; sat alone;
All this
is ended.
There
are waters blown by changing winds to laughter
Let us
take time to light some more candles on our tables of memories
this is the time to bring out pictures if you brought or just
remembered them. This is a time not to be alone in mourning -- in mourning
again or for the first time. El
Dia De Las Muertes recognizes what May Sarton called our mourning
without end but it also realizes that that mourning changes
stretches to include the richness of life, the promise of the
present, the sweetness of memory.
We discover that we can both ache at loss and celebrate life.
We have lost the familiar presence of that one in our lives
but we have found something new.
The person we lost has become something new like ice that
has melted into a drink, a cloud that has become rain.
A person becomes the sum of their choices and actions
unbounded by time.
Bill Staines wrote these lyrics:
Only the truth that in life we have spoken,
Only the seed which on earth we have sown,
These shall pass onward when we're forgotten,
Fruits of the harvest and what we have done.
This time is for the ripening of life, the passing onward of the
fruit of the harvest of human history.
Time to let the music
of a Mexican lullaby soothe you -- to let in memory this is a
time to be together in the core of our humanness our precious
vitality and our mortality.
We light these candles for our families, our
beloveds, our friends, for all our relations;
For those who are near and for those from whom
we feel an unwanted distance;
For those whose lives are vulnerable, For our
own vulnerable hearts
For all those we have lost known and
unknown
For the suffering we have experienced as people
As a planet torn by pain.
Let us light these candles in hope and healing
--
Candle Interlude
Pablo
Neruda wrote
If
suddenly you are not living
I
shall go on living.
We
shall go on living and living wisely.
May the candles inspire us to use our lives
well.
May the radiance of these candles pour out upon
our hearts, and spread light into the darkened corners of our world.
Octavio Paz wrote:
The universe rhymes with itself,
it unfolds and is two and is many
without ceasing to be one.
Tree of blood, we feel, think, flower,
and bear strange fruits: words.
What is thought and what is felt entwine,
And time and space fall dizzyingly,
into themselves.
We and the galaxy return to silence.
Does it matter? Yes but it doesn't matter:
we know that silence is music and that
we are a chord in this concert.
May the
radiance of these candles and in every face here, remind us all of
the beauty and radiance of life, the strength of our hearts and of
the deep need of this place, this community, this world, and our
times. We are needed to shape the changes that are inevitable
our hands are the hands of hope baking the bread of life
clearing the path of life. Reaching
into the earth and toward the stars to plant the future and to touch
infinity. We are a
feast, a fiesta, we are alight and alive and together.
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